Traffic, Mr. Fantasy |
But Traffic is a unique group that doesn't get nearly enough credit. Growing up in the 1980s, I knew who Steve Winwood was from his bland, yet fun, hits like "Roll With It, Baby" and that he was the voice of Spencer Davis Group's hit, "Gimme Some Loving" (a band the Allman Brothers would cover with their first track of their first album). I read that he was in the super group Blind Faith with Eric Clapton, and had heard about Traffic, but didn't really know much about them - they were already something of a footnote in most rock & roll histories. Which is a shame, because they are one of the most interesting and dynamic bands to come out of that period, easily one of my favorites.
I picked up their second album, and dug it even more - the combination of Steve Winwood's bright, odd, psychedelic rock and Dave Mason's bouncy folk was perfect. But perfect musical marriages don't always last, and Dave Mason was in and out of the band, as Traffic unformed and reformed during the early 1970s. Eventually, as the 1970s rolled on, Traffic embraced more fusion based rock as Jim Capaldi's influence increased. Since then, Traffic reformed sparingly, once in the 1990s with Gregg Allman's old sax player stepping in for the deceased Chris Wood. But with the death of drummer/singer Jim Capaldi, only Dave Mason and Steve Winwood remain. Dave Mason has taken the stage with superfans Warren Haynes and Derek Trucks' bands, naturally great music finds each other. I got to see Dave Mason sit in with Gov't Mule in Milwaukee in 2005, and he joined TTB for their Joe Cocker tribute last summer at LOCK'N Fest since Cocker made his Traffic song, "Feelin' Alright", a huge hit for himself.
My middle school computer teacher recognized my interest in music and actually made me a mix tape that included a few cuts from Traffic's Welcome to the Canteen. It's now one of my favorite live albums, highlighted for me by the silly "Medicated Goo" that opens the album, so I decided to take a stab at it myself. I first recorded the song in the same key Traffic performed it in, key of D, but it was too high for my limited vocals to stay in pitch. After finishing it in D, I redid it in C. My pitch is more accurate, but it is a little more mellow, which suits my style better.
Man, a little Medicated Goo really helps on these drizzly March days... Thanks Brett!
ReplyDeleteHa, thanks, Chief!
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