But it was King Curtis' sweet and soulful take on a pretty standard pop hit by Joe South that struck me. Listening to Joe South's version, it could be Harry Nilsson or BJ Thomas-lite - it's fairly forgettable. In King Curtis' hands the strings, steady strut, and none sense singing are replaced with Muscle Shoals' soul-drenched horns, a steady swing, and of course, a sweet alto sax. King Curtis' version resonated with me and quickly became one of my favorite tunes and it wasn't long before I adapted it to slide guitar. Naturally, it seemed like the logical next tune for this acoustic project.
Thursday, July 9, 2015
"Games People Play"
I've actually only heard the Joe South version of "Games People Play" once. It's a decent song, and not one that I would choose to arrange as an instrumental on my own. I have King Curtis to thank for that, whose Grammy-winning version featured a young session guitarist named Duane Allman on slide guitar and, oddly enough, sitar. The tune appeared on the first Duane Allman Anthology, which was a gateway for me to all kinds of music - Johnny Jenkins' Ton-Ton Macoute, Delaney & Bonnie, Cowboy, John Hammond, Aretha Franklin's "The Weight", Wilson Pickett's "Hey Jude", etc.
But it was King Curtis' sweet and soulful take on a pretty standard pop hit by Joe South that struck me. Listening to Joe South's version, it could be Harry Nilsson or BJ Thomas-lite - it's fairly forgettable. In King Curtis' hands the strings, steady strut, and none sense singing are replaced with Muscle Shoals' soul-drenched horns, a steady swing, and of course, a sweet alto sax. King Curtis' version resonated with me and quickly became one of my favorite tunes and it wasn't long before I adapted it to slide guitar. Naturally, it seemed like the logical next tune for this acoustic project.
But it was King Curtis' sweet and soulful take on a pretty standard pop hit by Joe South that struck me. Listening to Joe South's version, it could be Harry Nilsson or BJ Thomas-lite - it's fairly forgettable. In King Curtis' hands the strings, steady strut, and none sense singing are replaced with Muscle Shoals' soul-drenched horns, a steady swing, and of course, a sweet alto sax. King Curtis' version resonated with me and quickly became one of my favorite tunes and it wasn't long before I adapted it to slide guitar. Naturally, it seemed like the logical next tune for this acoustic project.
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